Thanks to all who came to hear us speak in 2018. The schedule for the first half of 2019 is shaping up as an even busier one, with events for JOHN OKADA, CONSCIENCE AND THE CONSTITUTION, and a look back at the first Day of Remembrance. For updates on this calendar, please always check the Upcoming Events page on the main menu. Continue reading Events coming up for the first half of 2019
The symposium offered me the opportunity to revisit the McDonald Maternity Hospital in Cleveland where I was born, just a block from the Western Reserve campus, and explore my own pre-history of the postwar resettlement of my father out of Heart Mountain and into the Midwest. Continue reading “Resistance, Resettlement, and Redress”
Journalist Jimmie Omura’s “Return to the Wars” Diary Available at SuyamaProject.org Website
An edited and annotated version of James Omura’s redress diary is now available at SuyamaProject.org, a website sponsored by the UCLA Asian American Studies Center, which aims to preserve the history of Japanese American resistance during World War II, including but not limited to the 100th/442nd Regimental Combat Team draftees, draft resisters, No Nos, renunciants, and other Nikkei dissidents. Continue reading Celebrations of Aiko Herzig Yoshinaga and James Omura
The last major Nisei figure interviewed in our film is gone. We are mourning the loss of Heart Mountain resister Yosh Kuromiya at the age of 95. Continue reading In Memoriam: Yosh Kuromiya, the man who drew the line
We’ll have whatever Randall Park is drinking! “Drunk History” is a weekly, half-hour series on Comedy Central where historical reenactments by A-list talent are presented by inebriated storytellers.
On June 19, tune in for a wild and woozy retelling of the resistance of Frank Emi and the Heart Mountain Fair Play Committee. Now millions will know the name of the FPC and its battle cry: “No more shikataganai!”
One of the benefits of putting Resisters.com online is making the story of the Heart Mountain Fair Play Committee and the principled resistance to Japanese American incarceration readily available to students — particularly for National History Day projects. This year our site provided the raw material for two sets of students who selected the story of the Nisei draft resisters and other dissidents to address this year’s topic, “Conflict and Compromise in History.”
Continue reading Two National History Day projects draw from “Conscience”
It’s taken a quarter-century, but thanks to Art and Stanford University Press you can now see how the journalist who called out JACL in 1942 for “selling Japanese America down the river” was shaped by his beginnings on Bainbridge Island and coming of age in the Pacific Northwest, his early work on Nisei vernaculars in California, and his showdowns with JACL and the US government in San Francisco and Denver.
Frank Chin provides the Foreword, “Let Us Now Praise Famous Men,” Heart Mountain draft resister Yosh Kuromiya provides the Preface, and I was honored to be asked to write the Afterword, entitled “Who Writes History?” Continue reading Nisei Naysayer: announcing the memoir of journalist James Omura
Documenting the history of Japanese American incarceration, and the resistance to incarceration, was always important, but it remained just that — history, something good to know about, to make sure that mass exclusion on the basis of race “never happens again in America.” But when rangers in the National Park Service have to go undergound, and Smokey the Bear is raising a fist in flames, you know something has gone terribly wrong.
We have just passed the tipping point and now live with an authoritarian American government. #Resistance is a trending hashtag. Former Labor Secretary Robert Reich posts a daily “Resistance Report” on YouTube. Former sportscaster Keith Olberman rebrands his show on GQ as “The Resistance.” Reuters is instructing its reporters how to cover the new Administration as if it were a banana republic. And the story of the Heart Mountain resisters is getting renewed attention.
Thanks to host Bill Radke and producer Shane Mehling for having me on Seattle’s NPR affiliate today, on KUOW’s “The Record,” to connect the Japanese American resistance to the current actions in the streets. Here’s a link to the full 11-minute conversation, which has been well-received. As I said to Bill, I feel both validated that the Fair Play Committee is getting recognized, and appalled that we are now talking about a very real threat to Muslim Americans and Mexican Americans for the purpose of fulfilling a campaign promise to a resurgent white nationalism.
Continue reading What #Resistance Means Now
The Heart Mountain resisters refused induction in 1944 as a last-ditch attempt to clarify their status as American citizens and challenge the constitutionality of the American concentration camps in which they were held. With the actions being threatened by a new Administration, a new kind of resistance is now being called for in the 21st century.
It’s only been one week since the election, and an adviser to the President-elect is testing the public’s willingness to go along with creation of a national registry of all Muslims in America — a database whose only useful purpose would be to make it possible to round them all up for some kind of mass action.
Journalist James Omura saw the dangers of mass registration in February 1942, in his testimony to the Congressional Tolan Committee, which was preparing the public for acceptance of the mass exclusion of a feared racial minority perceived as the enemy. “Has the Gestapo come to America?,” he asked.
In her revelatory new book, Mira Shimabukuro sets a new standard in camp studies with her framing of what she calls “writing-to-redress.” She goes beyond Bulletin #3 from the Fair Play Committee to recover a wide range of camp writing that challenges authority, much of it by women. such as the letter from the Mothers Society of Minidoka protesting the drafting of their sons, signed by more than 100 Issei women.
Our review in the International Examiner calls this a significant act of redress that once again changes the way we look at the Japanese American response to incarceration, and belies the claim of Mike Masaoka in our film that resistance in the camps was limited to “a relatively small number of dissidents.”
Continue reading REVIEW: Writing in the camps as an act of defiance