Category Archives: Frank Emi

Resisters at heart of new musical

Allegiance photoLike it or not, the history and legacy of the Heart Mountain Fair Play Committee is being dramatized and will be kicked around in the media for weeks and months to come. The vehicle for the uproar is a new musical with Broadway aspirations that appropriates the story of the resisters and puts them on stage against the Japanese American Citizens League and the real-life Mike Masaoka.

That’s the story first revealed to a national television audience by Conscience and the Constitution, and it informs the framework of Allegiance. Several years ago the songwriter and co-producer contacted us to ask for a copy of our film for a theater workshop. We obliged by sending a VHS tape, and heard nothing more until recently.

At Resisters.com we will always appreciate George Takei for his two decades of support for the Heart Mountain resisters — from his volunteering to read the part of Frank Emi at our first resisters homecoming / readers theater event in San Jose in 1992 (sadly but understandably losing him to a paying film gig), to his later lending his voice talents to our film to read the manifesto of Frank Emi and an editorial from James Omura. With his massive following and two-million Facebook friends, George is emerging as our lead advocate for getting mention of the resisters into the mass culture, as evidenced by this NPR interview over the Labor Day weekend where he expresses his admiration for the resisters and what he correctly characterizes as their “courageous and principled stand.”

While audiences may only remember the performances, musical arrangements and stagecraft, and whatever the intentions of the creative team, the risk of staging this material is that even as Japanese Americans appreciate this history being exposed to a wider audience, there are many ways for them to take offense at the way this one is told:

  • The JACL — Where our documentary lets Masaoka’s words and deeds speak for themselves, the musical puts Mike on stage as a living person, by name, and that’s a different animal. The emotional arc of the stage play sets up Mike as the villain of the piece. In early drafts, and in a YouTube video, “Mike Masaoka” is portrayed as a “scheming vaudevillian,” to use the words in the video caption.For all his rhetoric and bluster, Mike didn’t create the camps, or the draft, nor did he have the authority to stop the drafting of young men into the 442. The government did. JACLers are up in arms, though the organization so far has been silent.
  • The veterans — With the show appearing to champion those who resisted over those who enlisted or complied with the draft in camp, the stage was set for pushback. The first shot was fired by Charles Kobayashi and others in Sacramento in a letter reacting to a community preview: “The dialogue in Allegiance where Sam Omura tells his father he wished he had never volunteered for the 442nd needs to be removed. It is demeaning and disrespectful of the Nisei veterans.” Another of Kobayashi’s complaints however is easily dismissed: artists have no obligation to “uplift the race,” as it were.
  • The resisters — I can only wonder what Frank Emi would say if he were still alive. The show in earlier drafts had the lead resister, called by the diminuitive “Frankie,” exhorting crowds in camp to resist, under a banner that proclaims “Resist!” Frank would tell you that is a conflation with the washo-washo cries at the Tule Lake Segregation Center. The draft resisters at Heart Mountain never publicly rallied or raised banners. That would have invited sure arrest, and confusing their methods with those of the Tule Lake no-no’s and renunciants was precisely the thing that Frank Emi insisted the group avoid. It’s not just a technicality.The Fair Play Committee was organized around a principle to which they hoped to attract support. Frank Emi made it clear they would not pressure anyone to join the Fair Play Committee or to resist the draft, in order to avoid a federal conspiracy or sedition charge. They studiously limited their activities to offering legal advice to those who asked for it, quietly posting fliers throughout camp, and holding public meetings in the mess hall. To show them rallying under a banner alters the fundamental nature of the Fair Play Committee’s stand. It feeds into the stereotype of “agitators” and “troublemakers” that has dogged the FPC for 70 years.

Murmuring about the content of Allegiance has simmered all summer, based on a series of community previews, clips on YouTube,  and a glimpse of an early version of the script, as reported last month by J.K. Yamamoto in the Rafu Shimpo.

The murmuring finally burst into the open today with release of this from the president of the Japanese American Veterans Association (you can download a PDF of the letter here).

Open Letter about “Allegiance”

The play “Allegiance” is scheduled to open in San Diego, CA, on September 19th.  The producers of the play have received criticism about a pre-opening version of the play and they may make some changes before opening.  However, we understand that they do not intend to change the play’s characterization of the Japanese American Citizens League (JACL), Mike Masaoka, who was National JACL Secretary at the time Executive Order 9066 was issued, and the Nisei soldiers.  Thus, in our opinion, the play’s plot is objectionable in that it misleads the American public and is a disservice to the Japanese American community.  The comments in this letter are based on a review of a pre-opening version of the play.

The play tells how two groups showed their loyalty to the United States during World War II.  In telling their stories, the play pits those who volunteered to serve in the 442nd Regimental Combat Team against the”resisters” (aka “No-No boys” and draft resisters).  The play also implies that JACL and Masaoka colluded with the government in shaping various governmental policies.  These policies related to the forced evacuation of persons of Japanese ancestry, Question 27 and Question 28 in the loyalty questionnaire, segregation of “resisters” in Tule Lake WRA camp, and misleading Japanese Americans into volunteering for military service.

First, the play gives the false impression to the American public that the evacuation and unjust imprisonment of persons of Japanese ancestry would not have happened but for the aid provided by JACL and Mike Masaoka.  In reality, JACL and Masaoka had no ability to influence Executive Order 9066, which authorized the Army to evacuate persons of Japanese ancestry from the western United States.  They should be applauded for their efforts to minimize the pain and harshness of the Executive Order’s implementation during a time of war hysteria and within a culture of hostile and deceitful governmental officials.

Moreover, the play makes no mention of the actions of President Franklin D. Roosevelt, who signed Executive Order 9066, and LTG John DeWitt, who implemented Executive Order 9066.  These actions were later found to be the result of “prejudice, war hysteria, and lack of political leadership.”

Rather, the play would mislead the American public by attributing
unsubstantiated actions to Japanese American leaders who were attempting to bring reason to absolute chaos confronting the community.  The play appears to be pandering to the American public with the implicit message: “We don’t blame the government for what happened to us during World War II.  JACL and Masaoka did this to us.”

What happened to persons of Japanese ancestry during World War II was overt racial profiling. The lesson learned from that experience is that we must guard against racially motivated governmental policies.  This play, “Allegiance,” only serves to dilute or confuse the lesson that the American public should take away from the sacrifices and suffering of those who bore the unjust effects of Executive Order 9066.

Furthermore, there is no question that there was an angry division in 1943 within the Japanese American community between those who volunteered to serve and “resisters” on the matter of loyalty.  The play attempts to make the case that the “resisters” made the right choice and that those who volunteered were deceived by Masaoka and made the wrong choice.  By fueling this controversy, the play attempts to re-open old wounds and does a disservice to both groups.

Both choices were difficult and had permanent life-altering consequences. In hindsight, both groups should recognize that there was more than one way to show one’s loyalty.  Neither choice was the right one or the wrong one. Today, we should celebrate both groups for following their convictions rather than fueling this hostility by continuing to pit these two groups against each other.

Finally, the play uses fictional characters except for Mike Masaoka. The play assaults his good name and reputation by alleging his direct involvement in shaping the government’s controversial policies.  Let us hope that the play’s producers and investors can substantiate their apparent character assassination of Masaoka.  We will leave it to Mike Masaoka & Associates, a consulting firm that continues to do business in Washington, DC, to raise any challenges related to possibly malicious damage to its business reputation caused by “Allegiance.”

Sincerely,

Gerald Yamada
JAVA President

A couple of things are worth nothing about this letter. It signals we’re in for another round of confusing the resisters at Heart Mountain with the no-no’s at Tule Lake. The resisters were not “angrily divided” against the boys who served; they always said they made their choice and the volunteers made theirs. The resisters always recognized there was more than one way to show one’s loyalty; it was the veterans groups and JACL that took 60 or 70 years to come around. What’s notable is the degree to which the two letters above acknowledge the civil disobedience as a legitimate response.

Yamada’s challenge that the producers document their characterization of Masaoka was evidently anticipated by their reposting on their site of Mike’s 1942 and 1943 memoes to the WRA, the color scans of which were downloaded uncredited from our site, Resisters.com, along with several photos of Mike and the HTML code that William Hohri created for us for posting of the uncensored Lim Report. Having said that, and to show how many conflicting interests are at play, we do appreciate the link to our PBS. org site and to the DVD ordering page and hope they remain.

Previews for the show began last Friday. Opening night is Wednesday, September 19, and the all-important trade reviews will come in soon after that. More as this story develops.

A new look for Resisters.com

You’ll notice a new look and feel for Resisters.com. Call it Resisters.com 2.0. You can now post your own comments on these pages, as well as subscribe to email news updates about the resisters in real time.

Use the subscription form in the right sidebar, or the RSS link, and share posts on your Facebook page. The feed fulfills a long-ago request by Kenji Taguma that we have a means of quickly sharing news about the resisters. It’s not quite the magazine of Asian American literary and cultural criticism that Frank Chin insists we must have, but it’s the best I can manage for now.

I promise the posts will be newsworthy and will continue to uncover discoveries about the largest resistance to the WW2 incarceration of Japanese Americans. After 70 years interest in the camps has never been stronger. The difference is that over the past decade, with our film and now the new DVD, the paradigm for that history has widened to include the camp resistance and the JACL collaboration as part of our basic common knowledge alongside the 442, the MIS, and others.

Please leave a comment below to let us know how you like the new site, which uses the sturdier WordPress platform rather than the hand-coded site that we held together with Dreamweaver.

If there is page from the old Resisters.com site you miss and would like to see restored, leave a comment and we will repost it. We’ll soon be adding videos and links to new research, along with catching up with old news updates, reviews, and anything else you’d like to see or hear.

“World, War, Watada” and the Heart Mountain resisters

Amerasia Journal has published a special “wartime edition” that refocuses attention on the Heart Mountain Fair Play Committee, through the lens of the ongoing case involving Lt. Ehren Watada. The issue is titled “World, War, Watada,” and features letters from Heart Mountain resister Mits Koshiyama and supporter Paul Tsuneishi, both of whom are featured in our film. According to the UCLA news release:

Koshiyama, a Heart Mountain World War II draft resister, ends his personal letter to Lt. Ehren Watada, as follows: “Do what your conscience tells you what to do. We got punished by a prejudiced court but in the end, we prevailed.”

Writer Frank Chin contributes “A Call to Resist,” his take on Watada and the World II resisters, which also appears on his blog. Chin asks:

Lt. Ehren Watada, a Hawaiian Japanese Chinese American, exercises the rights the resisters defended, and brings the questions the Nisei heard tossed about in the camp war years, back to the present day. Will Japanese Americans react any differently than they did on their 9/11, Dec. 7, 1941?

There’s also an interview with filmmaker Curtis Choy and the making of “Watada, Resister.” Thanks to editor Russell C. Leong for referencing our film in his introductory editorial, “Is Resistance Your Real Name?,” and bringing some of you to this site.

More on “Watada, Resister”

Here’s the link to Lisa Chung’s July 7 column in the San Jose Mercury-News, “War resister’s predecessors stand with him” in which she quotes from Curtis Choy’s film of the phone call from Frank Emi and Yosh Kuromiya to Lt. Ehren Watada, the first commissioned officer to refuse deployment to Iraq:

Besides the usual list of anti-war celebrities and politicians in Watada’s corner, what impresses me most are the members of the Heart Mountain draft resisters. They know all about taking an unpopular stand on principle. These are people like Mits Koshiyama in San Jose, Frank Emi and Yoshi Kuromiya in Los Angeles, and others. They know the personal cost can still resonate and sting, even after 60 years …

Writer Frank Chin sent me a DVD recording of a phone meeting between Watada and Emi, Kuromiya and Paul Tsuneishi, a World War II veteran. Koshiyama, 83, was going to take part until health issues intervened. The elders offered their analyses and support. Kuromiya told the young officer that he might very well go to prison, but it could be the beginning of something new. He has the character for leadership and a role to play.

See Curtis Choy’s “Watada, Resister.”

Film: “Watada, Resister” by Curtis Choy

Thanks for visiting this site if you’ve come here after viewing “Watada, Resister” on YouTube or MySpace. Click on the video screen to see what’s billed as “The historic meeting of young Lt. Ehren Watada, who refused to deploy to Iraq, and WW2 resisters.”

It was produced and edited by filmmaker Curtis Choy on Jan. 27, 2007, as a way of connecting Lt. Watada with the Nisei draft resisters who he describes as an “inspiration” and who in this video express their pride in him and their support for Watada’s own principled stand. You will see and hear Heart Mountain resistance leader Frank Emi, draft resister Yosh Kuromiya, and their friend Paul Tsuneishi. If you look carefully you can see the poster for our film, Conscience and the Constitution, in Frank Emi’s living room behind Yosh.

Listen in particular to Watada’s measured and thoughtful challenge to all Americans to decide where they stand on the war, and one’s moral obligation to act if you do have a stand. He emerges in the video as a remarkable young man. Give it a listen.

As Yosh says in his prepared statement, the judge in his case in 1944 ruled that the 63 young Heart Mountain boys could not raise the unconstitutionality of mass incarceration as a defense in their trial for draft resistance. The jury could only rule on whether or not they failed to report for induction, and convicted the lot.

2021 CLARIFICATION: Read this interview in Amerasia Journal from 2007 on “Curtis Choy & the Making of Watada, Resister.”

Lucy Ostrander and Don Sellers of Stourwater Pictures shot the video and audio of Watada from the Seattle end of the phone call. Curtis Choy shot the call from the Los Angeles side, with sound by John Oh.

Ehren Watada and the Heart Mountain resisters

Lt. Ehren Watada, U.S. Military photoIn 1944 U.S. District Court Judge T. Blake Kennedy in Wyoming ruled 63 young Heart Mountain boys could not raise the unconstitutionality of mass incarceration as a defense in their trial for draft resistance. The jury could only rule on whether or not they failed to report for induction, and convicted the lot.

In 2007, although the cases are different, a military judge at Fort Lewis south of Seattle ruled this week that Army 1st Lt. Ehren Watada can not raise the legality of the war in Iraq as a defense for his refusal to deploy there. The Seattle Times article has links to court documents in Watada’s court-martial trial. See also the Seattle P-I.

By the way, did you see the howler on the season premiere of “24” on Jan. 14? Under siege from terrorist attacks, in a terse exchange on the legal precedents for locking up American Muslims in concentration camps, “President Wayne Palmer” bemoaned how “Roosevelt imprisoned over 200,000 Japanese Americans in what most historians consider to be a shameful mistake.” Where were the fact-checkers? S.I. Hayakawa would have cried “semantic inflation.” What was troubling, though, was the next line of dialogue: “Well I would ask those historians how many of those Japanese Americans were thus prevented from perpetrating acts of sabotage in this country?” The answer, of course, is exactly none.