Girst is the author of the 2015 academic study, Art, Literature, and the Japanese American Internment: On John Okada’s “No-No Boy,” and he reveres Okada’s work as much as anyone. Girst’s fine epilogue provides the context of the WW2 incarceration experience for the German reader, and a close reading of Okada’s text. Continue reading Interview with Thomas Girst on new German translation of “No-No Boy”
Buyer beware: The edition of No-No Boy published by the University of Washington Press is the only edition authorized by the family of John Okada. The largest publisher in the US is now opportunistically exploiting a loophole in the copyright to bring out its own unauthorized knock-off.
The Japanese American community in each city is unique, but the team effort in New York City that is JAJA (Japanese Americans and Japanese in America) is truly special. Julie Azuma provides the space but everyone pitches in bring potlock, set up, and clean up. The collective energy really brings everyone together, and the audience focus is amazing. We had a lively discussion of the life and work of John Okada in a living room setting, and the night was made more special with the presence of John’s niece, Beverly Okada of Long Island (seated next to me on the sofa with the vest). Continue reading “JOHN OKADA” and the Day of Remembrance in New York City
Angelenos react to a rainstorm as Seattleites do to snow: it’s an excuse to stay indoors. So we have many thanks to all those who braved the rain in Los Angeles last week to come to our JOHN OKADA launch events at USC, UCLA, and the Japanese American National Museum.
The full house of 250 that packed the Tateuchi Democracy Forum at JANM was especially fun. The discussion was lively and it was a real treat to see so many friends there, including Martha Nakagawa, Naomi Hirahara, Karen Tei Yamashita, Nobuko Miyamoto, Tak Hoshizaki, and Masumi Izumi even flew in from Japan for the weekend. Our special guests for the event were John Okada’s children from Pasadena, Dorothea Okada and Matthew Okada, who contributed so much time in the writing of their father’s biography. Continue reading Full house for Los Angeles book launch of “JOHN OKADA”
It was a quintessentially Okada-esque rainy day in 2015 when Midwest filmmakers Bill Kubota and Steve Ozone came to Seattle to talk with me about John Okada.
I’d known Bill from our mutual support on his film on Ben Kuroki, Most Honorable Son, and my film, Conscience and the Constitution, which featured Kuroki. He and Steve were doing a new film on the Military Intelligence Service, and they wanted to know more about Okada’s service in Guam with “The Flying Eight-Ball.” We talked in my basement office, then ventured out in the rain to see the clock tower at King Street Station where the novel opens.
You can see what a nice job they did in this clip from The Registry.
Thanks to all who came to hear us speak in 2018. The schedule for the first half of 2019 is shaping up as an even busier one, with events for JOHN OKADA, CONSCIENCE AND THE CONSTITUTION, and a look back at the first Day of Remembrance. For updates on this calendar, please always check the Upcoming Events page on the main menu. Continue reading Events coming up for the first half of 2019
The Seattle book launch for JOHN OKADA was a fun one, thanks to the 85 people who joined us to celebrate the legacy of the Seattle novelist and help launch our new book on his life and unknown works.
Two early reviews, a podcast, and a Facebook Live video. First, thanks go to Edgar-Award winning novelist Naomi Hirahara for taking the time to comment on our book.
“Nikkei literary pioneer re-examined“ reviewed by Naomi Hirahara, Nichi Bei Weekly, July 19. 2018
It’s an extremely readable book, a must-have companion piece to Okada’s novel … Abe, who lives in Okada’s early stomping grounds of Seattle, wrote the precise, well-researched 100-page biography of the author.
The last major Nisei figure interviewed in our film is gone. We are mourning the loss of Heart Mountain resister Yosh Kuromiya at the age of 95. Continue reading In Memoriam: Yosh Kuromiya, the man who drew the line
Tule Lake and Minidoka were two very different experiences for inmates, as I discovered after spending a week on the road at each of their camp pilgrimages. But one thing stayed the same, and that was the warm reception given to our dual presentations on both JOHN OKADA and our graphic novel on camp resistance with the working title, We Hereby Refuse. Continue reading “JOHN OKADA” and graphic novel presentations at Tule Lake and Minidoka