Category Archives: “We Hereby Refuse”

“BURN ORDER” launches before a live audience in Los Angeles

Rachel Maddow and her team at MS NOW completed the final two episodes of her Burn Order podcast on the wartime incarceration only last Friday, just in time for the series launch before a live audience on Sunday, December 15, at the ornate Orpheum Theater in Los Angeles. Her team invited Satsuki Ina, Lori Bannai, and me to speak on the first of two panels.

Photo: Jen Mulreany Donovan, MS NOW.

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Featured in new Rachel Maddow podcast, “BURN ORDER”

Many thanks to Rachel Maddow and her team at MS NOW for reaching out to me and others in the community to help connect the dots between the wartime incarceration of Japanese Americans and the abductions of non-white immigrants and citizens on the streets of America today. Their six-part podcast series, Burn Order,” dropped the first two episodes today, preceded by this video trailer:

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“One Bellevue, One Book:” the links between wartime incarceration and ICE abductions

Here is the most detailed story yet from my recent talks on the links between wartime incarceration and the scourge of ICE abductions. You should read the story by Kai Curry online at the Northwest Asian Weekly, but it conveys so much that’s important, and so much has changed since I first spoke on this in April, that I’ve shared it in full below. Thanks to the King County Library System and the Bellevue Library branch for centering We Hereby Refuse as their “One Bellevue, One Book.” Continue reading “One Bellevue, One Book:” the links between wartime incarceration and ICE abductions

What Japanese American Wartime Incarceration Tells Us About Mass Deportation Today

Prepared remarks for a public talk presented April 22 at Wellesley College in the Pendleton Atrium. See below for video of an updated version presented in Oakland on June 22, 2025. 

One year ago, when Elena Creef and I first discussed my speaking here, I never thought my talk would take such a dark turn. Then came the election. Elena asked me for a title for the program. By then, we knew the general direction things would take, but not the precise details. So this umbrella title seemed likely to stick by the time April 22nd rolled around.
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Asserting our history and defending civil liberties in 2025

On this date we’re in a strange transitional phase, preparing to defend democracy and civil liberties, books and libraries, history and knowledge and education, as they all come under concerted and coordinated attack in the four years to come. The example and literature of Japanese American resistance to wartime incarceration is more relevant than ever, and the script will continue to be written and rewritten to confront events as they unfold. Without question, we will look back at this time of relative peace and grace with nostalgia and a degree of anger at how we got here. However, we press forward, and here’s what’s on tap for the first half of 2025.
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Excavating Stories and Unearthing History in Fall 2024

The weather is turning, and it appears to be time to hit the road again starting this weekend, mostly to promote the new Penguin anthology but also to meet continuing interest in the graphic novel and camp resistance in general. Here’s the list as it stands today of in-person and virtual speaking events for this fall, including serving as headliner for the Densho annual fundraiser. Check the Events page for further updates.
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INTERVIEW: Turning history into a graphic novel

book coverJonathan Sandler of London has written a graphic memoir about his Yorkshire grandfather’s WW2 service in the U.S. Army, The English GI. He also blogs at graphicmemoir.co.uk and from across the ocean discovered our work with We Hereby Refuse.

Jonathan sent over some thoughtful questions about the process of turning history from one’s personal heritage into a graphic novel. It took me several months to reply, but here finally are my answers.
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Okada graffiti preserved at historic Nippon Kan Theater

The Okada signature survives! When I first came to Seattle in 1977, poet and playwright Garrett Hongo brought me backstage to the empty Nippon Kan Theater to show me a wall of graffiti with the name of a juvenile John Okada, painstaking inked into the stone. It was like touching a piece of history. Continue reading Okada graffiti preserved at historic Nippon Kan Theater