Angelenos react to a rainstorm as Seattleites do to snow: it’s an excuse to stay home. So we have many thanks to all those who braved the rain in Los Angeles last week to come to our JOHN OKADA launch events at USC, UCLA, and the Japanese American National Museum.
The full house of 250 that packed the Tateuchi Democracy Forum at JANM was especially memorable. The discussion was lively and it was a real treat to see so many friends there, including Martha Nakagawa, Naomi Hirahara, Karen Tei Yamashita, Nobuko Miyamoto, Tak Hoshizaki, and Masumi Izumi even flew in from Japan for the weekend. Our special guests for the event were John Okada’s children from Pasadena, Dorothea Okada and Matthew Okada, who contributed so much time in the writing of their father’s biography. [UPDATE: Here’s the Museum’s YouTube video of the entire program]:
It’s an extremely readable book, a must-have companion piece to Okada’s novel … Abe, who lives in Okada’s early stomping grounds of Seattle, wrote the precise, well-researched 100-page biography of the author.
The pages have been proofed, the index has been complied, and our book presenting new information on the life and unknown works of novelist John Okada is set to go to press in a few short weeks. But before you get a chance in July to see what’s inside, we are previewing the book at four upcoming special events this spring and summer. Continue reading Pre-publication book events for “JOHN OKADA”→
We’re pleased to announce the publication in July 2018 of a new book from the University of Washington Press that reveals new information about the life of John Okada and brings to light his unknown works.
Journalist Ryusuke Kawai says he decided to re-translate John Okada’s No-No Boy because readers found the previous rendering in Japanese to be filled with archaic words and incorrect grammar that made them put down the book. Kawai spoke to an attentive audience in Seattle on March 11, as a guest of former Uwajimaya CEO Tomio Moriguchi. Continue reading New translation of “NO-NO BOY” for the 21st century→