Frank Abe biography

Frank Abe photo by Sreve Ozone
photo by Steve Ozone

FRANK ABE is the lead author of a new graphic novel on Japanese American resistance to wartime incarceration, We Hereby Refuse,  a Finalist in Creative Nonfiction for the Washington State Book Awards. He won an American Book Award for JOHN OKADA: The Life & Rediscovered Work of the Author of No-No Boy (University of Washington Press, 2018), co-edited by Greg Robinson and Floyd Cheung, and made the award-winning PBS documentary, Conscience and the Constitution, on the largest organized camp resistance. He is also co-editing an anthology with Cheung for Penguin Classics on The Literature of Japanese American Incarceration (2024).

Abe contributed the afterword to Nisei Naysayer: The Memoir of Militant Japanese American Journalist Jimmie Omura (Stanford University Press), contributed a chapter to Frontiers of Asian American Studies (Washington State University Press)and has written for Ishmael Reed’s Konch, The Bloomsbury Review, Case Western Reserve Law Review, Amerasia Journal, International Examiner, Nichi Bei Weekly, Rafu Shimpo, and Pacific Citizen, among others. He blogs at

Abe helped produce the first-ever “Day of Remembrance” in 1978 with Frank Chin and Lawson Inada, and together they invented a new Japanese American tradition by producing car caravans and media events in Seattle and Portland that publicly dramatized the campaign for redress. “Days of Remembrance” are now observed as an annual event wherever Japanese Americans live. With Karen Seriguchi in 1980 he helped produce a series of successful public symposiums, “Japanese America: Contemporary Perspectives on the Internment,” funded by the Washington Commission for the Humanities.

Abe is a former National Vice-President of the Asian American Journalists Association, and taught broadcast writing at Seattle University. He was a founding member of the Asian American Theater Workshop in San Francisco, studied at the American Conservatory Theater, and was featured as an incarceration camp leader in John Korty’s 1976 NBC-TV movie, Farewell to Manzanar.

Abe served 14 years as a reporter for KIRO Newsradio, the CBS Radio affiliate in Seattle, and 25 years as communications director for King County (Washington) Executives Gary Locke and Dow Constantine, and the Metropolitan King County Council.


Frank Abe, a third-generation Japanese American, grew up being told that his parents’ generation had passively submitted to the wholesale denial of their rights during World War II in order to prove their loyalty.

The early question of his generation, “Why didn’t you resist?,” was usually answered by a pat on the head and an admonition against applying the values of today to events of the past.

Later as a journalist, Abe was astonished to learn that the area where he grew up, the Santa Clara Valley in Northern California, was once the home of many who later resisted the draft at Heart Mountain. Any mention of an organized resistance had been left out of the books he had read by the unofficial keepers of Japanese American history.

Feeling he had been misled, Abe sought out stories of the resisters and felt compelled to share them. He wrote an article for a community paper reclaiming the resistance as part of his heritage. Thus began the ten-year journey to the film Conscience and the Constitution.

After interviewing as many of the survivors of the resistance at Heart Mountain as he could, and investigating their stories, Abe feels the question for Japanese Americans is not “Why didn’t you resist,” but “Why did you turn your backs on those who resisted?”

As a reporter for KIRO Newsradio in Seattle, Washington, Abe won numerous regional and national awards during his broadcasting career. He was honored as a co-founder of the Seattle chapter of the Asian American Journalists Association and served as a National Vice-President for Broadcast. He is currently Director of Communications for the King County Executive in Seattle.

For the campaign to redress the wrongs of the camps, Abe helped create and produce the first “Days of Remembrance” in Seattle and Portland in 1978 and 1979. To continue the campaign, he was instrumental in creation of the National Council for Japanese American Redress in Seattle in 1979, which lobbied for a redress bill and later sued the government for reparations. With the American Friends Service Committee, he helped direct a series of symposiums, “Japanese America: Contemporary Perspectives on the Internment.”

With a B.A. in theater directing from the University of California at Santa Cruz and professional actors’ training at the American Conservatory Theater in San Francisco, Abe was an original member of the Asian American Theater Workshop in San Francisco. He was featured as a concentration camp collaborator in John Korty’s 1976 NBC-TV movie, Farewell to Manzanar.

Abe’s own father was incarcerated at Heart Mountain. Only after making this film did he learn that his father donated $2 to the Fair Play Committee and subscribed to the Rocky Shimpo newspaper where James Omura’s editorials appeared.

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The history and literature of Japanese American resistance to wartime incarceration

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