My “Greetings from Ground Zero” letter from Seattle appears in this special pandemic issue of Ishmael Reed and Tennessee Reed’s Konch Magazine.
The story of John Okada’s wartime work in the U.S. Military Intelligence Service is now airing nationwide in a new film on PBS.
The filmmakers of The Registry, Bill Kubota and Steve Ozone, flew out from Detroit seven years ago to speak with me about the author of No-No Boy. In particular we focused on the two years Okada spent training at the MIS Language School at Camp Savage, Minnesota, and then flying in the belly of a B-24 out of Guam to intercept and translate Japanese air-to-ground radio transmissions. If my words seem to falter it was because this interview was conducted in 2013, well before I had begun the final round of research and writing on the featured biography in our recent volume, John Okada.
Continue reading John Okada’s MIS service shared in new PBS film
Greetings from the social distance of Seattle, ground zero for COVID-19 in the U.S. Thanks to those who have checked in to see how we’re doing. We’re all fine, and I certainly hope you and those you know are well — like you, continually checking the phone for the latest domino to fall, unable for these first ten days or so to focus on much of anything besides the massive disruption that has upended our world.
And in this moment, as we wait for the peak of infections to crest, we are starting to see echoes of 1942 in the great pandemic of 2020. We have a nation under attack from a threat which originated in Asia, and which hit America on the Pacific Coast. Anyone with an Asian face becomes a target for racial retaliation. The occupant of the White House belatedly declares himself to be a “wartime president,” and tries to deflect responsibility for his early disease-denial by inflaming the xenophobia of his base and deliberately branding COVID-19 as the “Chinese virus.” Continue reading In the pandemic of 2020, echoes of 1942
The first Day of Remembrance in 1978 was political. We staged it as a car caravan from Seattle to a family potluck and program at the Puyallup Fairgrounds, but it was only to create a safe space for the Nisei to begin to express their long-suppressed rage at expulsion and incarceration, and channel it into a long-overdue petition for redress of grievances and a call for our elected leaders to right a wrong. Continue reading A Day of Remembrance = A Day of Action
Before an audience of 500 for the Friends of the Libraries annual lecture at the University of Washington on January 30, he acted out what he called the “mostly true” story of how he brought John Okada’s No-No Boy from 1,500 copies in print to selling more than 160,000. Continue reading Shawn Wong’s 49-year journey with “NO-NO BOY”
Hiroshi Kashiwagi once confided that when he was young he felt his real calling was as an actor. He had the soul of a poet, modest and soft-spoken, until he got on stage. Then he could command a voice that was measured and determined, almost Shakespearean in tone. He held a strong sense of right and wrong, and pushed himself to write and to study public speaking in order to be heard. Continue reading In Memoriam: Hiroshi Kashiwagi — poet, playwright, no-no, and renunciant
You’d never expect John Okada and the entire literature of Japanese American incarceration to be featured in the Style magazine of the New York Times … but thanks to the passionate interest of Thessaly La Force, features director for T: The New York Times Style Magazine, her deeply felt essay is now online. It will appear in print in the Sunday Times edition on November 17th.
Many thanks to Thessaly for reaching out to Shawn Wong and myself to learn more about this history, and the life and work of John Okada in particular. The literature of Japanese American incarceration is a field that JOHN OKADA co-editor Floyd Cheung and I are researching for a new anthology scheduled for 2021.
Floyd was not present, but Greg Robinson and I were, when our volume on John Okada was honored Friday with an American Book Award from the Before Columbus Foundation.
Here are my prepared remarks for the acceptance: Continue reading “NO-NO BOY” and “JOHN OKADA” in NY Times and American Book Awards
Little news emerged in the past year from the effort to stop the fence at Tule Lake — a three-mile long airport fence that would block access to the “hallowed ground” of America’s worst concentration camp.
Now we have some insight into why: according to a series of tweets from the Tule Lake Committee, the federal judge overseeing the case has lifted a gag order on the case, and the committee is raising funds for what could be the last leg of this long legal journey. We’ve kicked in, you can too. Here’s the thread unroll from @SaveTuleLake:
Continue reading Gag order lifted on lawsuit to stop the fence at Tule Lake
Thanks to M’Bilia Meekers at the University of Washington Press for sharing this blog post, “John Okada: The Life & Rediscovered Work of the Author of No-No Boy” wins the 2019 American Book Award!”
Continue reading UW Press blogs on American Book Award for “JOHN OKADA”
We’ve just learned that JOHN OKADA is one of the winners of the 2019 American Book Awards. This honor is especially meaningful as it comes from the Before Columbus Foundation which, as its name suggests, recognizes “literary achievement from the entire spectrum of America’s diverse literary community” and is “a writers’ award given by other writers.”
Our thanks to Ishmael Reed, Justin Desmangles, and Shawn Wong for their lifetime of work to sustain the Foundation. Continue reading “JOHN OKADA” among winners of 2019 American Book Awards