FRANK ABE is co-author of the new graphic novel on Japanese American resistance to wartime incarceration, WE HEREBY REFUSE (Chin Music Press: A Wing Luke Museum Book). He won an American Book Award for JOHN OKADA: The Life & Rediscovered Work of the Author of No-No Boy (University of Washington Press), and made the award-winning PBS documentary, CONSCIENCE AND THE CONSTITUTION, on the largest organized camp resistance. He is currently co-editing an anthology for Penguin Classics on The Literature of Japanese American Incarceration.
In an instant, the election changed everything. It has profoundly shifted the context of the work we do toward the darkness that is openly promised by a new president.
The audiobook cover comes in q square format that reveals more detail to the right in the original painting by Disney artist Gene Sokioka, entitled “Political Fires of Disconten
The weather is turning, and it appears to be time to hit the road again starting this weekend, mostly to promote the new Penguin anthology but also to meet continuing interest in the graphic novel and camp resistance in general. Here’s the list as it stands today of in-person and virtual speaking events for this fall, including serving as headliner for the Densho annual fundraiser. Check the Events page for further updates. Continue reading Excavating Stories and Unearthing History in Fall 2024→
“A Celebration of Art Hansen” was the centerpiece of the first-ever Nichi Bei Book Fest in San Francisco Japantown on July 27. Art and wife Debbie caught Covid from a cruise the week before so had to join us by Zoom in the Koho Co-Creative Space in the Peace Plaza, but it was still a celebratory event with stories told, tributes made, and city proclamations presented. Continue reading REVIEW: “A Capstone Collection from a Beloved Historian”→
Jonathan Sandler of London has written a graphic memoir about his Yorkshire grandfather’s WW2 service in the U.S. Army, The English GI. He also blogs at graphicmemoir.co.uk and from across the ocean discovered our work with We Hereby Refuse.
The Okada signature survives! When I first came to Seattle in 1977, poet and playwright Garrett Hongo brought me backstage to the empty Nippon Kan Theater to show me a wall of graffiti with the name of a juvenile John Okada, painstaking inked into the stone. It was like touching a piece of history. Continue reading Okada graffiti preserved at historic Nippon Kan Theater→