The story of No-No Boy and John Okada is being shared this summer with middle and secondary teachers of history and the humanities in six cities across the nation, as part of a series of place-based online workshops sponsored by the National Japanese American Historical Society of San Francisco and the National Park Service. Continue reading Sharing “NO-NO BOY” with teachers in six cities
The story of John Okada’s wartime work in the U.S. Military Intelligence Service is now airing nationwide in a new film on PBS.
The filmmakers of The Registry, Bill Kubota and Steve Ozone, flew out from Detroit seven years ago to speak with me about the author of No-No Boy. In particular we focused on the two years Okada spent training at the MIS Language School at Camp Savage, Minnesota, and then flying in the belly of a B-24 out of Guam to intercept and translate Japanese air-to-ground radio transmissions. If my words seem to falter it was because this interview was conducted in 2013, well before I had begun the final round of research and writing on the featured biography in our recent volume, John Okada.
Continue reading John Okada’s MIS service shared in new PBS film
Greetings from the social distance of Seattle, ground zero for COVID-19 in the U.S. Thanks to those who have checked in to see how we’re doing. We’re all fine, and I certainly hope you and those you know are well — like you, continually checking the phone for the latest domino to fall, unable for these first ten days or so to focus on much of anything besides the massive disruption that has upended our world.
And in this moment, as we wait for the peak of infections to crest, we are starting to see echoes of 1942 in the great pandemic of 2020. We have a nation under attack from a threat which originated in Asia, and which hit America on the Pacific Coast. Anyone with an Asian face becomes a target for racial retaliation. The occupant of the White House belatedly declares himself to be a “wartime president,” and tries to deflect responsibility for his early disease-denial by inflaming the xenophobia of his base and deliberately branding COVID-19 as the “Chinese virus.” Continue reading In the pandemic of 2020, echoes of 1942
Before an audience of 500 for the Friends of the Libraries annual lecture at the University of Washington on January 30, he acted out what he called the “mostly true” story of how he brought John Okada’s No-No Boy from 1,500 copies in print to selling more than 160,000. Continue reading Shawn Wong’s 49-year journey with “NO-NO BOY”
You’d never expect John Okada and the entire literature of Japanese American incarceration to be featured in the Style magazine of the New York Times … but thanks to the passionate interest of Thessaly La Force, features director for T: The New York Times Style Magazine, her deeply felt essay is now online. It will appear in print in the Sunday Times edition on November 17th.
Many thanks to Thessaly for reaching out to Shawn Wong and myself to learn more about this history, and the life and work of John Okada in particular. The literature of Japanese American incarceration is a field that JOHN OKADA co-editor Floyd Cheung and I are researching for a new anthology scheduled for 2021.
Floyd was not present, but Greg Robinson and I were, when our volume on John Okada was honored Friday with an American Book Award from the Before Columbus Foundation.
Here are my prepared remarks for the acceptance: Continue reading “NO-NO BOY” and “JOHN OKADA” in NY Times and American Book Awards
Thanks to M’Bilia Meekers at the University of Washington Press for sharing this blog post, “John Okada: The Life & Rediscovered Work of the Author of No-No Boy” wins the 2019 American Book Award!”
Continue reading UW Press blogs on American Book Award for “JOHN OKADA”
We’ve just learned that JOHN OKADA is one of the winners of the 2019 American Book Awards. This honor is especially meaningful as it comes from the Before Columbus Foundation which, as its name suggests, recognizes “literary achievement from the entire spectrum of America’s diverse literary community” and is “a writers’ award given by other writers.”
Our thanks to Ishmael Reed, Justin Desmangles, and Shawn Wong for their lifetime of work to sustain the Foundation. Continue reading “JOHN OKADA” among winners of 2019 American Book Awards
Girst is the author of the 2015 academic study, Art, Literature, and the Japanese American Internment: On John Okada’s “No-No Boy,” and he reveres Okada’s work as much as anyone. Girst’s fine epilogue provides the context of the WW2 incarceration experience for the German reader, and a close reading of Okada’s text. Continue reading Interview with Thomas Girst on new German translation of “No-No Boy”
Buyer beware: The edition of No-No Boy published by the University of Washington Press is the only edition authorized by the family of John Okada. The largest publisher in the US is now opportunistically exploiting a loophole in the copyright to bring out its own unauthorized knock-off. Continue reading Campaign launched to support UW Press edition of “No-No Boy”
At the Association for Asian American Studies conference in Madison, Wisconsin, our new volume on John Okada was given an academic analysis in a panel titled “John Okada’s Unknown Works: Reassessing the (Un)governability of Japanese Americans in Mid-century America.”
We missed Vince Schleitwiler’s presence on the panel, but moderator Floyd Cheung of Smith College did a great job presenting Vince’s paper on Okada’s satirical essays, “A Larger Capacity for Normalcy: Apparitions of the Non-Alien in Midcentury Empire” (download a PDF, also revised and published online as “The Bright Future and Long Shadow of John Okada’s No-No Boy“).
John Streamas of Washington State University impressed with his own paper, “Street Lit: John Okada Ventures into the Proletarian” (download a PDF), a close reading of the Okada short story, “What Can I Do?”
And in the notes for his own presentation, “I Must Be Strong’: Awareness and Resistance in John Okada’s December 7th Poem” (download a PDF) Floyd Cheung investigates Okada’s prescience about dominant American racism and the need to self-govern Japanese American identity.
At the New Books Reception it was great to get the gang back together with the physical book available to share. Thanks to our editors at the University of Washington Press, Larin McLaughlin and Mike Baccam, for helping bring our book to life.
Thanks to Greg Robinson for organizing a panel revisiting the legacy of Conscience and the Constitution and Rabbit in the Moon on their 20th anniversary. Great to see Emiko and Chizu Omori again and to meet discussants Elena Creef, Chris Suh, Robert Hayashi, and Jonathan van Harmelen.
Finally, Professor Masumi Izumi of Doshisa University in Kyoto presented her translation of the Tule Lake Stockade Diary of Tatsuo Inouye. It’s a rare insight into the thoughts of the Issei and Kibei Nisei held in the prison within a prison camp for standing up for better living conditions for their families and community. It was a crucial guide in assuring the accuracy of our forthcoming graphic novel on camp resistance, and will likely have a place in our anthology of camp literature, which is also forthcoming. #AAAS2019