Hiroshi Kashiwagi once confided that when he was young he felt his real calling was as an actor. He had the soul of a poet, modest and soft-spoken, until he got on stage. Then he could command a voice that was measured and determined, almost Shakespearean in tone. He held a strong sense of right and wrong, and pushed himself to write and to study public speaking in order to be heard. Continue reading In Memoriam: Hiroshi Kashiwagi — poet, playwright, no-no, and renunciant
You’d never expect John Okada and the entire literature of Japanese American incarceration to be featured in the Style magazine of the New York Times … but thanks to the passionate interest of Thessaly La Force, features director for T: The New York Times Style Magazine, her deeply felt essay is now online. It will appear in print in the Sunday Times edition on November 17th.
Many thanks to Thessaly for reaching out to Shawn Wong and myself to learn more about this history, and the life and work of John Okada in particular. The literature of Japanese American incarceration is a field that JOHN OKADA co-editor Floyd Cheung and I are researching for a new anthology scheduled for 2021.
Floyd was not present, but Greg Robinson and I were, when our volume on John Okada was honored Friday with an American Book Award from the Before Columbus Foundation.
Here are my prepared remarks for the acceptance: Continue reading “NO-NO BOY” and “JOHN OKADA” in NY Times and American Book Awards