An ambitious nine-week online event kicks off today, a virtual camp pilgrimage designed to make up for all the summer site visits cancelled by the pandemic. Among the plethora of programs are three that we’ve agreed to host.
In Week 3, on Saturday, July 4at 2:00 pm PDT, join me and moderator Erin Aoyama for a live group viewing of Conscience and the Constitution with a twist: while the film is streaming, I will offer the kind of director’s commentary on the making of the film that we were never able to include on the DVD. Tune in for behind-the-scenes stories about the Heart Mountain draft resisters, and leave questions in the chatroom for discussion afterwards. Erin brings her own experience of working on building a forthcoming database with the biographies and archival files of all 63 defendants in the largest mass trial in Wyoming history. RSVP via the Facebook Event.
In Week 4, on Friday, July 10 at 5:00 pm PDT, we will have a live book club presentation and discussion of the novel No-No Boy and the story of the author behind it. If you missed our book release events last year for our biography of John Okada, we’ll reprise that presentation while mixing in a fuller discussion of the themes of the novel. Vince Schleitwiler will moderate. RSVP via the Facebook Event.
The Japanese American community in each city is unique, but the team effort in New York City that is JAJA (Japanese Americans and Japanese in America) is truly special. Julie Azuma provides the space but everyone pitches in bring potlock, set up, and clean up. The collective energy really brings everyone together, and the audience focus is amazing. We had a lively discussion of the life and work of John Okada in a living room setting, and the night was made more special with the presence of John’s niece, Beverly Okada of Long Island (seated next to me on the sofa with the vest). Continue reading “JOHN OKADA” and the Day of Remembrance in New York City→
Thanks to all who came to hear us speak in 2018. The schedule for the first half of 2019 is shaping up as an even busier one, with events for JOHN OKADA,CONSCIENCE AND THE CONSTITUTION, and a look back at the first Day of Remembrance. For updates on this calendar, please always check the Upcoming Events page on the main menu. Continue reading Events coming up for the first half of 2019→
While in Idaho for a symposium, I took the opportunity to research settings for the forthcoming graphic novel on camp resistance, in particular the places where the draft resisters from Minidoka were jailed and put on trial in September, 1944.
With the Friends of Minidoka — Hanako Wakatsuki, Mia Russell, and Kurt Yokoyama Ikeda — we started at the Ada County Courthouse, where Jim and Gene Akutsu and the other draft resisters were brought from camp and held in the old jail on the top floors. We could still see the iron grates over the windows, from where they could look out. The top floors are now sealed off from the public. Continue reading Retracing the steps of the Minidoka draft resisters→
I’m no lawyer, but I could not say no when the Case Western Reserve Law Review asked for a piece based on our EO9066 panel last November.
The symposium offered me the opportunity to revisit the McDonald Maternity Hospital in Cleveland where I was born, just a block from the Western Reserve campus, and explore my own pre-history of the postwar resettlement of my father out of Heart Mountain and into the Midwest. Continue reading “Resistance, Resettlement, and Redress”→
TV viewers in the Pacific Northwest tuning in to the Winter Olympics this week have been getting an unexpected, 30-second education in America’s wartime incarceration camps, thanks to a personal testimonial I gave for the importance of the work of KING-TV’s Lori Matsukawa.
Humbled and a little embarrassed by this online recognition from the Asian American Journalists Association and friend Lori Matsukawa — but worthwhile if it encourages AAJA members to embrace their role in the newsroom and pitch stories that shine a light on our diverse communities — just as Lori has done so effectively in her position on air. Also worth it if it helps call attention to the film and the story of the Heart Mountain resisters and all the resisters in camp and the courts. Continue reading Film mentioned as an #inspirASIAN→
The Heart Mountain resisters refused induction in 1944 as a last-ditch attempt to clarify their status as American citizens and challenge the constitutionality of the American concentration camps in which they were held. With the actions being threatened by a new Administration, a new kind of resistance is now being called for in the 21st century.
It’s only been one week since the election, and an adviser to the President-elect is testing the public’s willingness to go along with creation of a national registry of all Muslims in America — a database whose only useful purpose would be to make it possible to round them all up for some kind of mass action.
Journalist James Omura saw the dangers of mass registration in February 1942, in his testimony to the Congressional Tolan Committee, which was preparing the public for acceptance of the mass exclusion of a feared racial minority perceived as the enemy. “Has the Gestapo come to America?,” he asked.
This 1970s-era novel by Frank Chin, published for the first time today by the University of Hawaii Press, predates his work with the Heart Mountain resisters who are the subject of this blog. But as a Friend of the Fair Play Committee, the surprise recovery and restoration of Frank’s unpublished first novel is a story as notable as his recovery of the buried history of the resisters.
For the occasion, I wrote a review of the book for International Examiner arts editor Alan Lau:
The Confessions of a Number One Son by Frank Chin
edited with an introduction by Calvin McMillin
reviewed by Frank Abe special to the International Examiner, April 1-April 14, 2015
The emergence 40 years later of a tightly edited, slimmed-down version of a long-lost novel from the writer who first defined Asian American literature is an unexpected gift.
That’s because to read TheConfessions of a Number One Son in 2015 is to peel back the decades and discover the creative foundation of the plays and later fiction of Frank Chin, in the moment before he became consumed with the polemics of separating the real from the fakery in the work of others.
In an early 1970s America where the postwar generation was just coming of age—where the world still celebrated the model minority, the Chinese Christian autobiographies of Betty Lee Sung and Pardee Lowe, and the movie stereotype of Charlie Chan—Frank Chin was putting a self-proclaimed Chinaman voice at the center of his stories. It was an act of self-invention he was perfecting in tandem with his better-known stage plays, The Chickencoop Chinaman and Year of the Dragon. Read more …