Artwork from We Hereby Refuse is on display in a new exhibit that opens January 13 at the Museum of Work & Culture in Woonsocket, Rhode Island.
At this weekend’s education conference for the Japanese American Confinement Sites Consortium, we’ll get a virtual tour of the restored courtroom at Fort Missoula, and I’ll show how we used a transcript of a hearing inside that courtroom for a key scene in our graphic novel, We Hereby Refuse.
When we staged the first Day of Remembrance 43 years ago, we had no idea how it would persist to become an invented tradition to be observed wherever Japanese Americans live. This year it’s a weekend more crowded than ever with five events at which I’ve been asked to speak. One consequence of pandemic isolation is the ability to be anywhere with Zoom, so I agreed to two events on Saturday and three on Sunday, covering all angles of resistance to wartime incarceration and the echoes to today:
Saturday, February 20, 2021, 11:00 am PT
Wing Luke Museum virtual tour of INS Building
A key scene in our graphic novel We Hereby Refuse takes place inside the U.S. Immigration Station, on the edge of Seattle’s Chinatown, where 100 immigrant Issei were held after their arrest by the FBI two months after Pearl Harbor. I’ll join the virtual tour as a guest speaker to show scenes from our book of the detention of Jim Akutsu’s father inside the Immigration Station, and also read from my father’s own memoir about his detention there in the 1930’s. Register here.
Saturday, February 20, 2021, 2:00 pm PT
Wing Luke Museum online book launch
Copies of our graphic novel won’t be ready for sale until March, but we’re going ahead with the Day of Remembrance launch of We Hereby Refuse: Japanese American Resistance to Wartime Incarceration. I’ll unpack how the structure of the book and its narrative arc upend the usual expectations around camp stories, Tamiko Nimura will read from a scene with her uncle Hiroshi Kashiwagi, and artists Ross Ishikawa and Matt Sasaki will break down their process. To get the Zoom link to watch, you’ll need to register here.
Sunday, February 21, 2021, 1:00 pm PT
Tsuru for Solidary car caravan for Seattle’s Day of Remembrance
In advance of a Day of Remembrance car caravan from the Puyallup Fairgrounds to the Northwest Detention Center in Tacoma, I’ve recorded a video greeting that links the first Day of Remembrance at the fairgrounds in 1978 to the ongoing need to press for release of asylum-seekers still held at the GEO Group private prison operated on behalf of ICE. “Another Time, Another Place” is sponsored by Tsuru for Solidarity, La Resistencia, Densho, the Minidoka Pilgrimage Planning Committee, Seattle JACL, and Puyallup Valley JACL.
[UPDATE: Here’s the four-minute video greeting from the blog’s YouTube channel]
MINNEAPOLIS-ST. PAUL, MN
Sunday, Feb. 21, 2021, 4:00 – 6:00 pm CT
Twin Cities JACL Day of Remembrance
A Twin Cities coalition is screening Conscience and the Constitution for its Day of Remembrance, after which I’ll join an online discussion with Jaylani Hussein, executive director of the Minnesota chapter of the Council on American-Islamic Relations (CAIR), and Japanese American and Muslim students from the University of Minnesota. Moderated by Twin Cities JACL chapter president Vinicius Taguchi.
[UPDATE: Watch my opening comments and the post-screening discussion, courtesy of the East Freedom Library YouTube channel]
SAN JOSE, CA
Sunday, February 21, 2021, 6:00 pm PT
45th anniversary screening of Farewell to Manzanar
West Wind Capitol Drive-in Theater
3630 Hillcap Avenue
Saving the fun one for last: I was a featured actor in the 1976 TV-movie, Farewell to Manzanar, and was prevailed upon by publisher Kenji Taguma to organize and moderate a virtual cast and crew reunion prior to the COVID-safe screening of the film at a San Jose drive-in theater. We just recorded the Zoom gathering and those in their cars at the screening will hear some truly great stories. It’s sponsored by the Nichi Bei Foundation as the closing night event of its 10th anniversary Films of Remembrance series. Read the Nichi Bei Weekly article about it.
[UPDATE: For the live audience at the drive-in, a 20-minute video was screened. Here is the 28-minute “director’s cut,” produced and edited by Greg Viloria, courtesy of the Nichi Bei Foundation YouTube channel]
The story of No-No Boy and John Okada is being shared this summer with middle and secondary teachers of history and the humanities in six cities across the nation, as part of a series of place-based online workshops sponsored by the National Japanese American Historical Society of San Francisco and the National Park Service. Continue reading Sharing “NO-NO BOY” with teachers in six cities
One of the benefits of putting Resisters.com online is making the story of the Heart Mountain Fair Play Committee and the principled resistance to Japanese American incarceration readily available to students — particularly for National History Day projects. This year our site provided the raw material for two sets of students who selected the story of the Nisei draft resisters and other dissidents to address this year’s topic, “Conflict and Compromise in History.”
Continue reading Two National History Day projects draw from “Conscience”
Proving that “racially motivated policies and discriminatory practices are timely issues,” law students at Fordham University in New York City on April 6 re-enacted both the mass trial of the 63 Heart Mountain resisters for refusing to report for Selective Service from inside an American concentration camp, and the subsequent trial of the 7 leaders of the Fair Play Committee and journalist James Omura for conspiracy to encourage draft resistance.
A photo gallery and summary are now posted on the Fordham Law News blog, “APALSA Students Give Heart to Heart Mountain.”
Continue reading Fordham Law students re-enact “Conscience, Loyalty, and the Constitution”
A report is just in from Japan Culture NYC that students at Fordham Law School in New York City on April 6 will re-enact two of the trials of members of the Heart Mountain Fair Play Committee, evidently as a moot court study in Constitutional law and incarceration history.
Preparing my remarks now for a discussion in Seattle on March 12 with noted historians Roger Daniels and Barbara Takei on a topic that still opens wounds today. Register for free here.
As we’ve written before, the goal of the Eji Suyama, 100th Battalion/442nd RCT Draftees, No-Nos, Draft Resisters and Renunciants Archival Collection Endowment at UCLA is to preserve the history of the entire range of dissidence and resistance to the wartime incarceration of Japanese Americans.
The project is coming to Seattle for Roger and Barbara to preview their much-anticipated new book on Tule Lake and the notorious Segregation Center, while I will talk about the life of novelist John Okada, author of the foundational novel, No-No Boy, and how he drew upon the story of the draft resisters and set it against the places he grew up in here in postwar Seattle. Read more in the Suyama Project news release. I’ll share new research and insights into the life of Okada, and some of the inspirations that went into his work.
The Densho online video archive is already a remarkable accomplishment: the filming, transcribing, archiving and posting of more than 1,600 hours of video interviews and over 12,000 historic photos, documents, and newspapers, all sharing the direct experience of incarceration in one of America’s concentration camps for Japanese Americans in World War II. The raw tapes of all 26 interviews we conducted for CONSCIENCE are archived there and available online, in what’s unavoidably dubbed the “Frank Abe Collection.”
Executive director Tom Ikeda and company have now taken their collection to the next level. After years of work they have synthesized the stories and images in their collection and organized them into a new online course, “Teaching WWII Japanese American Incarceration with Primary Sources.”
But there’s more. Among the benefits for completing the course and filling out an evaluation, teachers will receive a certification of completion to document professional development hours, and a copy of our new Two-Disc Collectors Edition DVD of CONSCIENCE AND THE CONSTITUTION, documenting the largest organized resistance to the wartime incarceration of Japanese Americans.
“The online course helps teachers create classroom activities to encourage students to closely examine and question what people say,” says Ikeda. “The men in Abe’s film questioned the government’s action to draft them from behind barbed wire, which led to their civil disobedience. We want teachers and students to see how thinking deeply about an issue can lead to action.”
Thanks to Densho for its longtime support of our project and for sharing our DVD with new teachers and students. The complete course takes about six hours to complete and it’s completely free, so sign up now.
This 1970s-era novel by Frank Chin, published for the first time today by the University of Hawaii Press, predates his work with the Heart Mountain resisters who are the subject of this blog. But as a Friend of the Fair Play Committee, the surprise recovery and restoration of Frank’s unpublished first novel is a story as notable as his recovery of the buried history of the resisters.
For the occasion, I wrote a review of the book for International Examiner arts editor Alan Lau:
The Confessions of a Number One Son by Frank Chin
edited with an introduction by Calvin McMillin
reviewed by Frank Abe
special to the International Examiner, April 1-April 14, 2015
That’s because to read The Confessions of a Number One Son in 2015 is to peel back the decades and discover the creative foundation of the plays and later fiction of Frank Chin, in the moment before he became consumed with the polemics of separating the real from the fakery in the work of others.
In an early 1970s America where the postwar generation was just coming of age—where the world still celebrated the model minority, the Chinese Christian autobiographies of Betty Lee Sung and Pardee Lowe, and the movie stereotype of Charlie Chan—Frank Chin was putting a self-proclaimed Chinaman voice at the center of his stories. It was an act of self-invention he was perfecting in tandem with his better-known stage plays, The Chickencoop Chinaman and Year of the Dragon. Read more …