FRANK ABE is co-author of the new graphic novel on Japanese American resistance to wartime incarceration, WE HEREBY REFUSE (Chin Music Press: A Wing Luke Museum Book). He won an American Book Award for JOHN OKADA: The Life & Rediscovered Work of the Author of No-No Boy (University of Washington Press), and made the award-winning PBS documentary, CONSCIENCE AND THE CONSTITUTION, on the largest organized camp resistance. He is currently co-editing an anthology for Penguin Classics on The Literature of Japanese American Incarceration.
An ambitious nine-week online event kicks off today, a virtual camp pilgrimage designed to make up for all the summer site visits cancelled by the pandemic. Among the plethora of programs are two that we’ve agreed to host.
In Week 3, on Saturday, July 4at 2:00 pm PDT, join me and moderator Erin Aoyama for a live group viewing of Conscience and the Constitution with a twist: while the film is streaming, I will offer the kind of director’s commentary on the making of the film that we were never able to include on the DVD. Tune in for behind-the-scenes stories about the Heart Mountain draft resisters, and leave questions in the chatroom for discussion afterwards. Erin brings her own experience of working on building a forthcoming database with the biographies and archival files of all 63 defendants in the largest mass trial in Wyoming history [UPDATE: Here’s the YouTube video of the Director’s Commentary].
In Week 4, on Friday, July 10 at 5:00 pm PDT, we will have a live book club presentation and discussion of the novel No-No Boy and the story of the author behind it. If you missed our book release events last year for our biography of John Okada, we’ll reprise that presentation while mixing in a fuller discussion of the themes of the novel. Vince Schleitwiler will moderate. [UPDATE: Here’s the YouTube video of the Book Club].
The story of John Okada’s wartime work in the U.S. Military Intelligence Service is now airing nationwide in a new film on PBS.
The filmmakers of The Registry, Bill Kubota and Steve Ozone, flew out from Detroit seven years ago to speak with me about the author of No-No Boy. In particular we focused on the two years Okada spent training at the MIS Language School at Camp Savage, Minnesota, and then flying in the belly of a B-24 out of Guam to intercept and translate Japanese air-to-ground radio transmissions. If my words seem to falter it was because this interview was conducted in 2013, well before I had begun the final round of research and writing on the featured biography in our recent volume, John Okada. Continue reading John Okada’s MIS service shared in new PBS film→
Greetings from the social distance of Seattle, ground zero for COVID-19 in the U.S. Thanks to those who have checked in to see how we’re doing. We’re all fine, and I certainly hope you and those you know are well — like you, continually checking the phone for the latest domino to fall, unable for these first ten days or so to focus on much of anything besides the massive disruption that has upended our world.
The first Day of Remembrance in 1978 was political. We staged it as a car caravan from Seattle to a family potluck and program at the Puyallup Fairgrounds, but it was only to create a safe space for the Nisei to begin to express their long-suppressed rage at expulsion and incarceration, and channel it into a long-overdue petition for redress of grievances and a call for our elected leaders to right a wrong. Continue reading A Day of Remembrance = A Day of Action→
Add performance art to the resume of novelist and professor Shawn Wong.
Before an audience of 500 for the Friends of the Libraries annual lecture at the University of Washington on January 30, he acted out what he called the “mostly true” story of how he brought John Okada’s No-No Boy from 1,500 copies in print to selling more than 160,000. Continue reading Shawn Wong’s 49-year journey with “NO-NO BOY”→
Hiroshi Kashiwagi once confided that when he was young he felt his real calling was as an actor. He had the soul of a poet, modest and soft-spoken, until he got on stage. Then he could command a voice that was measured and determined, almost Shakespearean in tone. He held a strong sense of right and wrong, and pushed himself to write and to study public speaking in order to be heard. Continue reading In Memoriam: Hiroshi Kashiwagi — poet, playwright, no-no, and renunciant→
You’d never expect John Okada and the entire literature of Japanese American incarceration to be featured in the Style magazine of the New York Times … but thanks to the passionate interest of Thessaly La Force, features director for T: The New York Times Style Magazine, her deeply felt essay is now online. It will appear in print in the Sunday Times edition on November 17th.
Many thanks to Thessaly for reaching out to Shawn Wong and myself to learn more about this history, and the life and work of John Okada in particular. The literature of Japanese American incarceration is a field that JOHN OKADA co-editor Floyd Cheung and I are researching for a new anthology scheduled for 2021.
Floyd was not present, but Greg Robinson and I were, when our volume on John Okada was honored Friday with an American Book Award from the Before Columbus Foundation.
Little news emerged in the past year from the effort to stop the fence at Tule Lake — a three-mile long airport fence that would block access to the “hallowed ground” of America’s worst concentration camp.