Category Archives: Suyama Project

In Memoriam: Martha Nakagawa, resistance storyteller

This is one of the hardest things I’ve had to contemplate writing. These In Memoriam posts have mostly been devoted to celebrating the lives and marking the passage of Nisei wartime resisters and those whose lives they’ve touched. I know I’m not alone in still being in a state of shock at having to memorialize the life of someone so young and vital as Martha Nakagawa of Los Angeles.
Continue reading In Memoriam: Martha Nakagawa, resistance storyteller

In Memoriam: Roger Daniels, the dean of incarceration camp history

We mourn the loss of the dean of Japanese American camp history. Roger Daniels passed away peacefully in Bellevue, Washington, on December 9, surrounded by family, a week after celebrating his 95th birthday.
Continue reading In Memoriam: Roger Daniels, the dean of incarceration camp history

Celebrations of Aiko Herzig Yoshinaga and James Omura

Journalist Jimmie Omura’s “Return to the Wars” Diary Available at SuyamaProject.org Website

James Omura on book coverAn edited and annotated version of James Omura’s redress diary is now available at SuyamaProject.org, a website sponsored by the UCLA Asian American Studies Center, which aims to preserve the history of Japanese American resistance during World War II, including but not limited to the 100th/442nd Regimental Combat Team draftees, draft resisters, No Nos, renunciants, and other Nikkei dissidents. Continue reading Celebrations of Aiko Herzig Yoshinaga and James Omura

Nisei Naysayer: announcing the memoir of journalist James Omura

Congratulations to Art Hansen for fulfilling the promise he made to James Omura before Omura’s death in 1994 — to get Jimmie’s memoirs published someday.

It’s taken a quarter-century, but thanks to Art and Stanford University Press you can now see how the journalist who called out JACL in 1942 for “selling Japanese America down the river” was shaped by his beginnings on Bainbridge Island and coming of age in the Pacific Northwest, his early work on Nisei vernaculars in California, and his showdowns with JACL and the US government in San Francisco and Denver.

Frank Chin provides the Foreword, “Let Us Now Praise Famous Men,” Heart Mountain draft resister Yosh Kuromiya provides the Preface, and I was honored to be asked to write the Afterword, entitled “Who Writes History?” Continue reading Nisei Naysayer: announcing the memoir of journalist James Omura

When was the term “No-No Boy” first used?

Thanks to theSuyama Project panelists 60 who joined us on March 12 at the Suyama Project panel to hear about the life of John Okada and how he wove his experiences into his landmark novel NO-NO BOY.

At the panel, historian Roger Daniels asked a provocative question: “When does the term ‘no-no boy’ first appear in print?” No one in the room could say.  Continue reading When was the term “No-No Boy” first used?

When was the term “No-No Boy” first used?

Thanks to theSuyama Project panelists 60 who joined us on March 12 at the Suyama Project panel to hear about the life of John Okada and how he wove his experiences into his landmark novel NO-NO BOY.

At the panel, historian Roger Daniels asked a provocative question: “When does the term ‘no-no boy’ first appear in print?” No one in the room could say.  Continue reading When was the term “No-No Boy” first used?

Upcoming program on no-no boys and “NO-NO BOY,” the novel

Suyama panel flyerPreparing my remarks now for a discussion in Seattle on March 12 with noted historians Roger Daniels and Barbara Takei on a topic that still opens wounds today. Register for free here.  

As we’ve written before, the goal of  the Eji Suyama, 100th Battalion/442nd RCT Draftees, No-Nos, Draft Resisters and Renunciants Archival Collection Endowment at UCLA is to preserve the history of the entire range of dissidence and resistance to the wartime incarceration of Japanese Americans.

The project is coming to Seattle for Roger and Barbara to preview their much-anticipated new book on Tule Lake and the notorious Segregation Center, while I will talk about the life of novelist John Okada, author of the foundational novel, No-No Boy, and how he drew upon the story of the draft resisters and set it against the places he grew up in here in postwar Seattle. Read more in the Suyama Project news release. I’ll share new research and insights into the life of Okada, and some of the inspirations that went into his work.

Continue reading Upcoming program on no-no boys and “NO-NO BOY,” the novel

All forms of camp resistance are focus of Suyama Project

A new project out of UCLA has an ambitious goal: to preserve the history of the entire range of dissidence and resistance to the wartime incarceration of Japanese Americans.

Suyama Project web banner

The full title is a mouthful: The Eji Suyama, 100th Battalion/442nd RCT Draftees, No-Nos, Draft Resisters and Renunciants Archival Collection Endowment. Eji himself was a  Nisei vet who survived the rescue of the Lost Battalion, a chief of surgery in Maine, and a frequent voice in the vernacular press who would caution against the super-patriotism of the postwar JACL and many veterans’ groups while championing the principled stands of the draft resisters and others. We received several letters from him in support of our film while in production.

The Suyama Project has an interesting take in recognizing that even small acts of defiance, like stealing lumber to make furniture or sneaking out of camp to go fishing, could be considered acts of everyday resistance to government authority. The project’s mandate, however, is to collect archival material on all dissent, including the various riots and civil unrest, the military resisters, the Moab and Leupp Citizen Isolation Centers, and the focus of a community forum March 7 in San Francisco: the unique story of the men in Block 42 at Tule Lake.

audienceA full house at the Japanese Cultural and Community Center turned out to hear the story of Block 42, where  in February of 1943 military police illegally rounded up three dozen men for refusing to answer either a Selective Service questionnaire or an Application for Leave Clearance, both of which included a troubling loyalty oath.

kashiwagiPlaywright Hiroshi Kashiwagi testified to what he witnessed: the ringing of the mess hall bells at 5pm sounding the alarm of the arrests, the military police hauling out the men from  Block 42, the mothers and sisters screaming for the men not to be taken.

brothers2Mamoru “Mori” and James Tanimoto of Gridley told how they were sent to an outside jail and then held without charge at a former Civilian Conservation Corps camp. There they were interrogated, rousted at night under bright lights, and made to hear the clicks of guards ominously loading their rifles as if ready to shoot, making the men believe they were going to be executed. Then from the darkness a voice shouted no one was going to escape under his watch, and the men were returned to their barrack.

From the audience, Ben Takeshita shared a similar story of mental torment, of how his brother Spencer had been taken to the CCC camp, put before a firing squad, offered a blindfold, and watched helplessly as the soldiers were given the commands “ready, aim … fire,” as blanks were fired.

After one month, the War Department and FBI told the Tule Lake camp director that he had no legal authority to arrest people for failing to sign an administrative form, and the men of Block 42 were returned to camp. Hiroshi joked that he always thanked the Block 42 boys for “taking the rap” for other no-no’s in camp, as he in Block 40 and others at Tule were never themselves arrested.

The Tanimoto’s have told their story before, at Tule Lake Pilgrimages past, but as Barbara Takei observed the story was not documented outside that circle. The Suyama Project is looking for more stories and materials of this kind for its archival collection, and we urge your support. Its website provides several links to this site and our film.

And thanks to project coordinator dvdsMartha Nakagawa for recognizing CONSCIENCE and RABBIT IN THE MOON in her remarks as “the two films that together led JACL to apologize” for its wartime suppression of camp resistance.