Two of the three main characters of We Hereby Refuse were born in Sacramento, so it’s fitting that the first news coverage of the book’s publication should come in their hometown paper. Continue reading Mitsuye Endo is focus of first newspaper feature on “WE HEREBY REFUSE”
The violence against Asian Americans in Atlanta and across the nation is rooted, as many this week have pointed out, in a history of systemic exclusion and racism that includes the mass incarceration of Japanese Americans in WW2. It’s in this moment of heightened awareness that we confirm our graphic novel on that subject will be published on May 18. Continue reading May 18 publication set for “WE HEREBY REFUSE”
When we staged the first Day of Remembrance 43 years ago, we had no idea how it would persist to become an invented tradition to be observed wherever Japanese Americans live. This year it’s a weekend more crowded than ever with five events at which I’ve been asked to speak. One consequence of pandemic isolation is the ability to be anywhere with Zoom, so I agreed to two events on Saturday and three on Sunday, covering all angles of resistance to wartime incarceration and the echoes to today:
Saturday, February 20, 2021, 11:00 am PT
Wing Luke Museum virtual tour of INS Building
A key scene in our graphic novel We Hereby Refuse takes place inside the U.S. Immigration Station, on the edge of Seattle’s Chinatown, where 100 immigrant Issei were held after their arrest by the FBI two months after Pearl Harbor. I’ll join the virtual tour as a guest speaker to show scenes from our book of the detention of Jim Akutsu’s father inside the Immigration Station, and also read from my father’s own memoir about his detention there in the 1930’s. Register here.
Saturday, February 20, 2021, 2:00 pm PT
Wing Luke Museum online book launch
Copies of our graphic novel won’t be ready for sale until March, but we’re going ahead with the Day of Remembrance launch of We Hereby Refuse: Japanese American Resistance to Wartime Incarceration. I’ll unpack how the structure of the book and its narrative arc upend the usual expectations around camp stories, Tamiko Nimura will read from a scene with her uncle Hiroshi Kashiwagi, and artists Ross Ishikawa and Matt Sasaki will break down their process. To get the Zoom link to watch, you’ll need to register here.
Sunday, February 21, 2021, 1:00 pm PT
Tsuru for Solidary car caravan for Seattle’s Day of Remembrance
In advance of a Day of Remembrance car caravan from the Puyallup Fairgrounds to the Northwest Detention Center in Tacoma, I’ve recorded a video greeting that links the first Day of Remembrance at the fairgrounds in 1978 to the ongoing need to press for release of asylum-seekers still held at the GEO Group private prison operated on behalf of ICE. “Another Time, Another Place” is sponsored by Tsuru for Solidarity, La Resistencia, Densho, the Minidoka Pilgrimage Planning Committee, Seattle JACL, and Puyallup Valley JACL.
[UPDATE: Here’s the four-minute video greeting from the blog’s YouTube channel]
MINNEAPOLIS-ST. PAUL, MN
Sunday, Feb. 21, 2021, 4:00 – 6:00 pm CT
Twin Cities JACL Day of Remembrance
A Twin Cities coalition is screening Conscience and the Constitution for its Day of Remembrance, after which I’ll join an online discussion with Jaylani Hussein, executive director of the Minnesota chapter of the Council on American-Islamic Relations (CAIR), and Japanese American and Muslim students from the University of Minnesota. Moderated by Twin Cities JACL chapter president Vinicius Taguchi.
[UPDATE: Watch my opening comments and the post-screening discussion, courtesy of the East Freedom Library YouTube channel]
SAN JOSE, CA
Sunday, February 21, 2021, 6:00 pm PT
45th anniversary screening of Farewell to Manzanar
West Wind Capitol Drive-in Theater
3630 Hillcap Avenue
Saving the fun one for last: I was a featured actor in the 1976 TV-movie, Farewell to Manzanar, and was prevailed upon by publisher Kenji Taguma to organize and moderate a virtual cast and crew reunion prior to the COVID-safe screening of the film at a San Jose drive-in theater. We just recorded the Zoom gathering and those in their cars at the screening will hear some truly great stories. It’s sponsored by the Nichi Bei Foundation as the closing night event of its 10th anniversary Films of Remembrance series. Read the Nichi Bei Weekly article about it.
[UPDATE: For the live audience at the drive-in, a 20-minute video was screened. Here is the 28-minute “director’s cut,” produced and edited by Greg Viloria, courtesy of the Nichi Bei Foundation YouTube channel]
“Three voices … Three acts of defiance … One mass injustice.” That’s one of the taglines for our forthcoming graphic novel which presents an original vision of America’s past with disturbing links to the American present. We had a fast-moving conversation about it on Black Friday, with a special look inside the 3-D modeling by one of our two artists, Ross Ishikawa, to recreate key scenes based on historical reality.
Here’s the one-hour JAMP YouTube channel event moderated by Erin Aoyama, to get you ready for publication on February 9, 2021.
Our graphic novel on Japanese American resistance to wartime incarceration, WE HEREBY REFUSE, is not due for publication until February — but when doing a project like this, you can’t pass up the opportunity when asked to be part of a panel titled, “Japanese American Voices in Graphic Novels.”
UPDATE October 27: Here is the YouTube program, cued to start with our 5-minute debut of the artwork and story, followed by the panel moderated by librarian Jessica Buck and featuring Mari Nomi, Sarah Kuhn, Kiku Hughes, and Yuko Ota. [The screen is blank but the video does play.]
The story of No-No Boy and John Okada is being shared this summer with middle and secondary teachers of history and the humanities in six cities across the nation, as part of a series of place-based online workshops sponsored by the National Japanese American Historical Society of San Francisco and the National Park Service. Continue reading Sharing “NO-NO BOY” with teachers in six cities
Greetings from the social distance of Seattle, ground zero for COVID-19 in the U.S. Thanks to those who have checked in to see how we’re doing. We’re all fine, and I certainly hope you and those you know are well — like you, continually checking the phone for the latest domino to fall, unable for these first ten days or so to focus on much of anything besides the massive disruption that has upended our world.
And in this moment, as we wait for the peak of infections to crest, we are starting to see echoes of 1942 in the great pandemic of 2020. We have a nation under attack from a threat which originated in Asia, and which hit America on the Pacific Coast. Anyone with an Asian face becomes a target for racial retaliation. The occupant of the White House belatedly declares himself to be a “wartime president,” and tries to deflect responsibility for his early disease-denial by inflaming the xenophobia of his base and deliberately branding COVID-19 as the “Chinese virus.” Continue reading In the pandemic of 2020, echoes of 1942
Hiroshi Kashiwagi once confided that when he was young he felt his real calling was as an actor. He had the soul of a poet, modest and soft-spoken, until he got on stage. Then he could command a voice that was measured and determined, almost Shakespearean in tone. He held a strong sense of right and wrong, and pushed himself to write and to study public speaking in order to be heard. Continue reading In Memoriam: Hiroshi Kashiwagi — poet, playwright, no-no, and renunciant
You’d never expect John Okada and the entire literature of Japanese American incarceration to be featured in the Style magazine of the New York Times … but thanks to the passionate interest of Thessaly La Force, features director for T: The New York Times Style Magazine, her deeply felt essay is now online. It will appear in print in the Sunday Times edition on November 17th.
Many thanks to Thessaly for reaching out to Shawn Wong and myself to learn more about this history, and the life and work of John Okada in particular. The literature of Japanese American incarceration is a field that JOHN OKADA co-editor Floyd Cheung and I are researching for a new anthology scheduled for 2021.
Floyd was not present, but Greg Robinson and I were, when our volume on John Okada was honored Friday with an American Book Award from the Before Columbus Foundation.
Here are my prepared remarks for the acceptance: Continue reading “NO-NO BOY” and “JOHN OKADA” in NY Times and American Book Awards