Girst is the author of the 2015 academic study, Art, Literature, and the Japanese American Internment: On John Okada’s “No-No Boy,” and he reveres Okada’s work as much as anyone. Girst’s fine epilogue provides the context of the WW2 incarceration experience for the German reader, and a close reading of Okada’s text. Continue reading Interview with Thomas Girst on new German translation of “No-No Boy”
Buyer beware: The edition of No-No Boy published by the University of Washington Press is the only edition authorized by the family of John Okada. The largest publisher in the US is now opportunistically exploiting a loophole in the copyright to bring out its own unauthorized knock-off. Continue reading Campaign launched to support UW Press edition of “No-No Boy”
At the Association for Asian American Studies conference in Madison, Wisconsin, our new volume on John Okada was given an academic analysis in a panel titled “John Okada’s Unknown Works: Reassessing the (Un)governability of Japanese Americans in Mid-century America.”
We missed Vince Schleitwiler’s presence on the panel, but moderator Floyd Cheung of Smith College did a great job presenting Vince’s paper on Okada’s satirical essays, “A Larger Capacity for Normalcy: Apparitions of the Non-Alien in Midcentury Empire” (download a PDF, also revised and published online as “The Bright Future and Long Shadow of John Okada’s No-No Boy“).
John Streamas of Washington State University impressed with his own paper, “Street Lit: John Okada Ventures into the Proletarian” (download a PDF), a close reading of the Okada short story, “What Can I Do?”
And in the notes for his own presentation, “I Must Be Strong’: Awareness and Resistance in John Okada’s December 7th Poem” (download a PDF) Floyd Cheung investigates Okada’s prescience about dominant American racism and the need to self-govern Japanese American identity.
At the New Books Reception it was great to get the gang back together with the physical book available to share. Thanks to our editors at the University of Washington Press, Larin McLaughlin and Mike Baccam, for helping bring our book to life.
Thanks to Greg Robinson for organizing a panel revisiting the legacy of Conscience and the Constitution and Rabbit in the Moon on their 20th anniversary. Great to see Emiko and Chizu Omori again and to meet discussants Elena Creef, Chris Suh, Robert Hayashi, and Jonathan van Harmelen.
Finally, Professor Masumi Izumi of Doshisa University in Kyoto presented her translation of the Tule Lake Stockade Diary of Tatsuo Inouye. It’s a rare insight into the thoughts of the Issei and Kibei Nisei held in the prison within a prison camp for standing up for better living conditions for their families and community. It was a crucial guide in assuring the accuracy of our forthcoming graphic novel on camp resistance, and will likely have a place in our anthology of camp literature, which is also forthcoming. #AAAS2019
The Japanese American community in each city is unique, but the team effort in New York City that is JAJA (Japanese Americans and Japanese in America) is truly special. Julie Azuma provides the space but everyone pitches in bring potlock, set up, and clean up. The collective energy really brings everyone together, and the audience focus is amazing. We had a lively discussion of the life and work of John Okada in a living room setting, and the night was made more special with the presence of John’s niece, Beverly Okada of Long Island (seated next to me on the sofa with the vest). Continue reading “JOHN OKADA” and the Day of Remembrance in New York City
Angelenos react to a rainstorm as Seattleites do to snow: it’s an excuse to stay home. So we have many thanks to all those who braved the rain in Los Angeles last week to come to our JOHN OKADA launch events at USC, UCLA, and the Japanese American National Museum.
The full house of 250 that packed the Tateuchi Democracy Forum at JANM was especially memorable. The discussion was lively and it was a real treat to see so many friends there, including Martha Nakagawa, Naomi Hirahara, Karen Tei Yamashita, Nobuko Miyamoto, Tak Hoshizaki, and Masumi Izumi even flew in from Japan for the weekend. Our special guests for the event were John Okada’s children from Pasadena, Dorothea Okada and Matthew Okada, who contributed so much time in the writing of their father’s biography. [UPDATE: Here’s the Museum’s YouTube video of the entire program]:
The Seattle book launch for JOHN OKADA was a fun one, thanks to the 85 people who joined us to celebrate the legacy of the Seattle novelist and help launch our new book on his life and unknown works.
Two early reviews, a podcast, and a Facebook Live video. First, thanks go to Edgar-Award winning novelist Naomi Hirahara for taking the time to comment on our book.
“Nikkei literary pioneer re-examined“ reviewed by Naomi Hirahara, Nichi Bei Weekly, July 19. 2018
It’s an extremely readable book, a must-have companion piece to Okada’s novel … Abe, who lives in Okada’s early stomping grounds of Seattle, wrote the precise, well-researched 100-page biography of the author.
The last major Nisei figure interviewed in our film is gone. We are mourning the loss of Heart Mountain resister Yosh Kuromiya at the age of 95. Continue reading In Memoriam: Yosh Kuromiya, the man who drew the line
Tule Lake and Minidoka were two very different experiences for inmates, as I discovered after spending a week on the road at each of their camp pilgrimages. But one thing stayed the same, and that was the warm reception given to our dual presentations on both JOHN OKADA and our graphic novel on camp resistance with the working title, We Hereby Refuse. Continue reading “JOHN OKADA” and graphic novel presentations at Tule Lake and Minidoka
Advance copies of JOHN OKADA: The Life & Rediscovered Work of the Author of No-No Boy arrived in the mail this week, and the books are a joy to hold. The covers feel good in the hand, with the same texture as the 2014 paperback edition of No-No Boy itself. I’ll be lugging dozens of copies on the bus to the upcoming Tule Lake and Minidoka Pilgrimages for the booksellers there. If you’re also going, please signal your attendance at these Facebook Events for our Tule Lake workshop, “No-No Boys, John Okada, and the Kibei Resistance at Tule Lake,” with Martha Nakagawa and Takako Day on July 1, or at the Minidoka panel, “John Okada, No-No Boy, and the Draft Resistance at Minidoka, on July 6.
In advance of our imminent publication, which is now slated for July 13, co-editor Greg Robinson has just posted a treat for you — an outtake from our book, something we really tried to get in but could not fit into our maximum page count. It’s a look at how No-No Boy was originally received in 1957, titled “First Impressions: Early Reviews of John Okada’s No-No Boy.” The article appears on the Discover Nikkei blog, and we’ve provided links to the texts of all the 1957 reviews cited by Greg here on this blog. Continue reading Read an outtake chapter from the forthcoming “John Okada”