John Okada never received the recognition he deserved in his lifetime. Since then, his work has earned him a place in world literature. I’d like to think Okada would have been pleased to see the turnout in his hometown on the occasion of his 100th birthday and the kickoff of the John Okada Centennial celebration.
Continue reading Full house for kickoff of the John Okada Centennial
One-hundred years ago today, John Okada was born in Seattle. It’s also a day on which I can finally reveal that I’m developing the script for a new theater adaption of Okada’s landmark novel, No-No Boy.
For four days this week I’ve had the privilege of working with the Seattle Rep, our flagship regional theater, under the auspices of “The Other Season,” its New Plays series. The Rep hired the brilliant theater director Desdemona Chiang to work with me and a talented cast of professional Equity actors. Under union rules we were not allowed to advertise or talk about the workshop until it was over. Continue reading New adaptation of “NO-NO BOY” workshopped at Seattle Rep
Novelist John Okada would have been 100 years old had he lived to September 22, 2023. To celebrate his legacy and honor his work in writing the great Japanese American novel, The Seattle Public Library has engaged me to curate a series of programs around the John Okada Centennial.
Continue reading The Seattle Public Library celebrates the John Okada Centennial
Thanks to Seattle City of Literature, we’ve put John Okada on the map — the Seattle Literary Map.
It’s with good reason that Seattle is one of two U.S. cities to be designated as a UNESCO City of Literature. Besides our active literary scene, it was the birthplace or home to some of America’s most notable writers, including the author of No-No Boy. Continue reading Putting John Okada on the Seattle Literary Map
As the month for the annual Day of Remembrance, February is always the busiest time of year for speaking requests. This year being the 80th anniversary of EO 9066, A friend counted 33 DOR events nationwide. I have nine on the books myself, a personal record, including four on February 19th.
Continue reading National Day of Remembrance tops February events
In Seattle, the North American Post is the successor to the prewar Hokubei Jiji newspaper that Fuyo Tanagi helped edit, before she wrote the letter protesting the drafting of Nisei boys from camp for the Mothers Society of Minidoka. So it is an honor to be interviewed by Elaine Ikoma Ko in this wide-ranging exchange on No-No Boy, John Okada and We Hereby Refuse for the cover of the current issue of the Post.
Read the interview in the North American Post here.
Continue reading The North American Post interview
The story of how John Okada migrated to Detroit in 1953 — where he wrote the great American novel, No-No Boy — is told in a new interview for the Detroit History Podcast.
At this weekend’s education conference for the Japanese American Confinement Sites Consortium, we’ll get a virtual tour of the restored courtroom at Fort Missoula, and I’ll show how we used a transcript of a hearing inside that courtroom for a key scene in our graphic novel, We Hereby Refuse.
Continue reading The Alien Enemy Hearing Boards at Fort Missoula
Our favorite novel is getting more exposure in Europe.
I’m unexpectedly representing Seattle as a UNESCO City of Literature at the Scottish International Storytelling Festival. For the program on Thursday, October 21, I will virtually present two stories about John Okada and the writing of No-No Boy. Continue reading Bringing John Okada to the global stage
